| Daniel von Sturmer |
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| Biography |
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| 1972 |
Born Auckland, New Zealand |
| 1993–96 |
RMIT University, Melbourne, Bachelor of Arts, in Fine Art, Honours |
| 1997–99 |
RMIT University, Melbourne, Master of Arts by Research |
| 2002–03 |
Sandberg Institute, Amsterdam, Netherlands |
| Currently lives and works in Melbourne, Australia |
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| Solo exhibitions |
| 2006 |
The Field Equation, Australian Centre for Contemporary Art, Melbourne |
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Limits of the Model, Anna Schwartz Gallery at The Depot Gallery, Sydney |
2005
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Into a Vacuum of Future Events, Anna Schwartz Gallery, Melbourne
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Screen Test, Experimenta Vanishing Point, Gertrude Contemporary Art Spaces, Melbourne |
2004
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ScreenTest, Dunedin Public Gallery, Dunedin, New Zealand |
2001
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Material From Another Medium, Centre for Contemporary Photography, Melbourne
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Science Fiction, Penthouse & Pavement, Melbourne |
2000
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Plane, 1st Floor Artists and Writers Space, Melbourne |
1999
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Available Light, RMIT Project Space, Melbourne |
1998
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Mediation, Talk Artists Initiative, Melbourne
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1997
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Weightless, 1st Floor Artists and Writers Space, Melbourne |
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Occlude, 200 Gertrude Street, Melbourne |
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General Review of Gain and Loss (with Andy Thomson and Leslie Eastman), WestSpace, Melbourne |
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| Selected group exhibitions |
2007
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La photographie et l’imaginaire sculptural, Dazibao, Montreal |
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Callum Morton, Daniel von Sturmer and Stieg Persson, Margaret Moore Gallery, Perth |
2006
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21st Century Modern, Adelaide Biennial of Australian Art, Australia, curated by Linda Michael |
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Anne Landa Award, Art Gallery of New South Wales, Sydney |
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Painted Objects, Centre for Non Objective Art, Brussels, Belgium, curated by Petra Bungert |
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Decade Acquisitions 1996–2006, Bendigo Region Art Gallery, Victoria |
2005
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Digital Discourse, St James Centre for Creativity, Valletta, Malta, curated by Vince Briffa
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Press Pause: Recent Australian Video Installations, Queensland Art Gallery, curated by Julie Ewington |
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Shadowplay, Dunedin Public Art Gallery, New Zealand, curated by Justin Paton |
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Various Presence, Shanghai International Science and Art Exposition, China, curated by Peter Westwood |
2004
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A Molecular History of Everything, Australian Centre for Contemporary Art, Melbourne, curated by Juliana Engberg
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The Walters Prize, Auckland Art Gallery, New Zealand |
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ARTV, Australian Centre for the Moving Image, Melbourne |
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On Reason and Emotion, 14th Biennale of Sydney, Art Gallery of New South Wales, curated by Isabel Carlos |
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Mix-ed, Sherman Galleries, Sydney, curated by Simeon Kronenberg |
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2004: Australian Culture Now, Australian Centre for the Moving Image, Melbourne |
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Projekt, The Physics Room, Christchurch, New Zealand, curated by Brendan Lee |
2003
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One Night Stand, Pops DVD Bang, Seoul, Korea, curated by Emil Goh |
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Face Up: Contemporary Art from Australia, Nationalgalerie im Hamburger Bahnhof, Berlin, curated by Britta Schmitz |
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Reisefreiheit: Neue Kunst in Hamburg, Kunsthaus, Hamburg, curated by Rita Kersting |
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De Een Minuten Nu, Montevideo, Amsterdam |
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The Way Things Are, Grant Pirrie Gallery, Sydney, curated by Blair French and Patrick Pound |
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New 03, Australian Centre for Contemporary Art, Melbourne, curated by Juliana Engberg |
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25hrs Video Screening, Poliesportiu El Raval, Barcelona, Spain, curated by Manuel Saiz/Video Art Foundation |
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Real–Avecom Festival, Arnhem, Netherlands, curated by Tom Vullings |
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De Een Minuten, Skor Inkijk, Amsterdam |
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Something/Something Video Something, Artspace, Sydney, curated by Jarrod Rawlins |
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Screen Life, Max Fisher Gallery, Auckland, New Zealand, curated by Max Delany and Stuart Koop |
2002
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(The World May be) Fantastic, 13th Biennale of Sydney, Video Programme, Sydney
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Screen Life, Reina Sofia Museum, Madrid, Spain; Gertrude Contemporary Art Spaces, Melbourne; Govett-Brewster Gallery, New Plymouth, New Zealand, curated by Max Delany and Stuart Koop |
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No Worries/Mai Pen Rai!, Monash University Museum of Art, Melbourne, curated by Tessa Dwyer and Sarah Tutton |
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Something/Something Video Something, Uplands Gallery, Melbourne, curated by Jarrod Rawlins |
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We Don’t Charge for Looking, Block Gallery, Sydney, curated by Laresa Kosloff |
2001
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Chicken: Videos from Melbourne, Project 304, Bangkok, Thailand, for Experimenta, curated by Sarah Tutton
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2000 Blink, Australian Centre for Contemporary Art, Melbourne, curated by Stuart Koop and Vikki McInnes |
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Rapture: Video Arcade, Platform, Melbourne, curated by Tessa Dwyer and Rebecca Chew |
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Museum MaGoGo, PB Gallery, Melbourne, curated by Graham Ramsay and John Beagles |
| 1999 |
Where the Wild Roses Grow, Transmission Gallery, Glasgow, Scotland
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Museum MaGoGo, Glasgow Project Space, Glasgow, curated by Graham Ramsay and John Beagles |
1998
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Strangely Familiar, Australian Centre for Contemporary Art, Melbourne, curated by Clare Williamson
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Mnemosyne, Centre for Contemporary Photography, Melbourne, curated by Greg Defteros |
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Group Show, Level 11, 522 Flinders Lane, Melbourne |
1997
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Going Nowhere: A Video Show, Grey Area Art Space Inc., Melbourne, curated by Julia Gorman |
1996
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Focus #2 MMM, Robert Lindsay Gallery, Melbourne, curated by Jan Nelson and Brenda Ludeman |
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The Expanded Field: 500 Sites, WestSpace, Melbourne, curated by David Thomas |
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Times Five, Victorian College of the Arts Gallery, Melbourne, curated by Amanda Ahmed |
1995
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500x500, 300 Russell Street Gallery, Melbourne
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B2EFloor, Group Show, Royal Melbourne Institute of Technology, Melbourne |
1994
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Floor to Ceiling, 300 Russell Street Gallery, Melbourne
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Blow Up, Fringe Festival Digital Imaging Exhibition, Southgate, Melbourne
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| Awards, grants and residencies |
| 2006 |
Helen Macpherson Smith Commission, Australian Centre for Contemporary Art, Melbourne, Australia |
2004
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Australia Council Studio, London, United Kingdom
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Artist in Residence, Dunedin Public Gallery, Dunedin, New Zealand |
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Arts Victoria Grant, International and Touring Program |
2001
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Anne and Gordon Samstag International Visual Arts Scholarship |
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Tower Studio Residency, 200 Gertrude Street/Queens College, Melbourne |
| 2000–01 |
Australia Council New Work Grant for Material From Another Medium |
1999
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Morning Star–Evening Star, Melbourne–Glasgow Cultural Exchange
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1997
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Australian Post Graduate Award
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Arts 21 Grant |
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Pat Corrigan Artist Grant |
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| Collections |
| Australian Centre for the Moving Image, Melbourne |
| Bendigo Region Art Gallery, Victoria |
| The Michael Buxton Contemporary Australian Art Collection, Melbourne |
| Museum of Contemporary Art, Sydney |
| Queensland Art Gallery, Brisbane |
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Acknowledgements
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The artist would like to thank the following:
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Meri Blazevski
Brian Scales
Juliana Engberg
John Kaldor
Anna Schwartz
Ruth Bain
The Anna Schwartz Gallery team
Charlotte Day
Justin Paton
Andy Thomson
Karilyn Brown, Anna Waldman, Sophie O’Brien, Jane Silversmith, Jacqui Bonner, Matt Gaskin and Karen Worsfold at the Australia Council
Diego Carpentiero
Luca Conomo and Alessandro Cherubini
Michael Cartmel at PIVOD
Gary Speechley at Tasman AV
Craig Johnstone at Total Tools
Allan Eddy and Save Time Visuals
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